Wilderness House Literary Review # 1/2
WHLReview145 Foster Street Littleton MA 01460
The Wilderness House Literary Review is a publication devoted to excellence in literature and the arts.
The WHLReview is published online quarterly with a best of annual print edition.
Deadlines are as follows March 1 – Spring June 1 – Summer September 1 – Autumn December 1 – Winter
The annual edition will be published in May.
Editor & Publisher
Poetry Editor
Fiction Editor
Nonfiction Editor
Book Reviews Editor
Arts Editor
Poet in Residence
The Wilderness House Literary Review is the result of the cooperation of the and the Wilderness House Literary Retreat.
Submissions
Poetry may be submitted in any form.
Short fiction may be submitted in three formats:
1. very short stories less than 500 words in length 2. short stories less than 1000 words in length 3. Short stories that don’t fit the above should be less than 5000 words.
Non-Fiction is just that so lets see some interesting footnotes.
Book Reviews should be positive unless the author is a well-known blowhard. Our mission is to encourage literature not discourage it.
Non-fiction should be short, (a lot) less than 5000 words.
Any form of art may be submitted with the constraint that it must be something that can be published in 2 dimensions. It’s hard to publish sculpture but illustrations together with some intelligent prose count.
Published works are welcome with proper attribution. Copyright by the authors.
Please submit all works electronically. |
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Welcome to the second edition of the Wilderness
House Literary Review. WHLR is a result of the collaboration between a
group of poets and writers who call themselves the Bagel Bards and the Wilderness House Literary Retreat,
itself a cooperative effort between the Rotary Club of
Littleton Massachusetts and the New England Forestry
Foundation. All of the stories, articles, poems and examples of art have
been presented as PDF files, Portable Document Format. This is a format that
allows for a much cleaner presentation than would otherwise be available on
the web. If you don’t have an Adobe Reader (used to read a PDF file) on your
computer you can download one from the Adobe
website. The files are large and we hope you will be patient when downloading
but we think the beauty of the words deserver a beautiful presentation.
Volume 1
number 1 is available on the web here and will be available
in paperbound book shortly. For a low bandwidth version of this
edition click
HERE. Enough
housekeeping. Art
Found art!
Many of us think of ourselves as artists more than just writers or poets or
painters or sculptors or whatever we do to express out creative instincts.
Art is what makes us smile or cry or just think. We’ve all seen (or heard)
creative expressions and thought or even exclaimed “wow” and we have all seen
a fortuitous congruence of events produced by nature and wished we could
create what random chance produces so effortlessly. I had asked
artist Sean Moore to send me some art
for this edition of the WHReview. Instead he sent some found art. Sean
is an avid sailor as well as an artist. He was checking the web site of his
favorite yacht club (they
commissioned a painting) and he saw and captured the following image from
their web cam: Wow, Found art. Call this Motif #3. As
everyone in New England knows Rockport Massachusetts is famous for lobster
and art. The inner harbor of Rockport has been painted so many times the
locals have placed signs marking Motif #1. There are even a signs that point
to Motif #2 which is just the wall of Lobster buoys. Everyone who can
paint in New England has painted Motif #1 at least once. It’s an
artistic obligation. Even Sean Moore has
painted it. Just in case
you think there is anything more painted in New England than Motif #1 here is
what Google Image has to say about Motif
#1. Yes, there are many thousands of paintings, drawings and
photographs of Motif #1. We all
understand art. Picasso was a good artist even if we don’t like his
paintings. Maya Angelo is a great poet even if we don’t like her poetry. They
made us think, laugh or cry. Art in the eye of the beholder is a Zen or
perhaps a gestalt existentialist experience. (Somehow the two are always
related – or confused – go ahead argue with us!) Our Poet-in-Residence
has a thing or two to say about the Zen: Zen Lite, for Andy
McLaughlin. What makes an
artist? What is art? At a recent Bagel Bards breakfast it was hotly debated.
Irene Koronas, the bards’ word catcher wrote this blow-by-blow account of the
action: “In this corner we have, the statement,
‘a great poem is objective.’ In the other corner we have, ‘a great poem is
subjective.’ You know the rules; no punches below sexual orientation and when
the referee says break it up, go to your designated corners, (styles).
Ding-dong. Subjective comes out punching, watch out, an upper cut over the i
of Whitman. There goes the I of Nuruda, oh my God, someone stop the fight,
Maya Angelo is getting clobbered, but wait, objective lands a solid right to
the gut of Beethoven? (how did he get into this fight?) Oh boy, the referee
has to bring juice to subjective, he slaps him across the face to wake him up
before the insanity of creative lies knock him out. Subjective is refreshed;
he comes out dancing around the ring like a butterfly. The crowd is on their
feet cheering. Objective is on the ropes trying to cover his face. Folks,
this is an incredible fight. A hard decision for the judges but it’s a knock
out in the first round. Subjective is the winner. The poetic audience leaves
satisfied that the best argument won. The maintenance men mop up the blood, collect
the bottles and push the left over bagels into a bin. The mangers of poetic
form take their winnings to the typewriter, open shelled peanuts to feed the
birds, go home, rest and get ready for the next world championship bout.” Our editor
(It’s bizarre writing about oneself in the third person – an out of body
experience) thinks he knows what’s art and what’s not. He masks his
subjectivity under the guise of the objective and has written an introduction
to an object art, an artistic happening the artist John Bellicchi
created in Germany last year: The Last Supper. At
a recent Bagel Bards breakfast a woman walked by and exclaimed, “It’s the
last supper,” and walked away. We’ve been wondering ever since whose
second coming and imminent demise we’ve been celebrating. Essays
This month we
offer two essays by Molly Watt, one by Laurence McKinney and another by our
editor Steve Glines. Molly’s two essays couldn’t be different. Molly’s
thoughts range from Bollywood to post teen sex. Steve mourns his best friends
passing. Laurie’s is about rocketry in the Cold War. Veer-Zara and
Bombay’s Bollywood
- By Molly Lynn Watt
- By Molly Lynn Watt
- By Steve Glines Rocket Scientist
- Laurence McKinney Fiction
We often
wonder what the real difference is between fiction and non-fiction. The
latter is a remembered impression of reality the former an imagined
impression of reality. The lines, more often than not, blur. Were this writer
to type an autobiography it would consist of what he has chosen (consciously
or not) to remember and being the poor scholar that he is he will admit to
only writing fiction. Perhaps opposite can be said of our only entry in the
fiction department: Veterans of the Boy
Scout War Poetry
At yet another
Bagel Bards breakfast someone chirped in with, “Did you know that a group of
poets is called a ‘iam’ of poets.” No we didn’t know that and we have
yet been able to verify with a Google search. After very little thought we
believe the correct name should be an ‘ego of poets.’ Here is our current
collection: Patricia Brodie FOR TOBY WHO DISAPPEARED LAST MONTH Julia Carlson
I watched TV
at the friendly Villager Tavern … Robin Dancer Steve Glines
Four cool cats
(the end of hip and the death of cool) Taylor Graham Carolyn
Gregory At The Guest
House Parlor (For Mrs. Claire Pike) Doug Holder
You’ll Be A Collyer
Brothers Hermit! Coleen T.
Houlihan Gary Lehmann Gloria Mindock Tomas O’Leary
Zen Lite - for
Andy McLaughlin Charles P.
Ries Beatriz Alba
del Rio Pushpa Ratna Tuladhar
Afaa Micheal
Weaver A.D. Winans Reviews
Finally, if
you’re not exhausted we have several reviews of books we think might be of
interest to you. Edited By:
Alfred Nichols Ocean
Publishers, 2006 Reviewed by
Amy Brais
Finally we
can’t help tooting our own horn and reviewing our own books. The following
book was edited by our editor and published by our review editor – talk about
an inside job. By Hugh Fox Edited by S.R.
Glines Ibbetson
Street Press, 2006 Reviewed by
Doug Holder
We did receive
a short, independent, review by Linda Lerner. I think she liked it: “My immediate
reaction on finishing Hugh's book, ‘Way, Way Off the Road. The Memoirs
of an Invisible Man.’: Got way way
off my road middle of one insomniac night, lost in a strangely familiar world
of artists academics, most of whom I've never met or whose names I'd only
heard mentioned, wanted to get off, turn back , even tried to take a few
short cuts -- but there were no road directions, logical organization of his
bizarre place I kept returning to middle of every night --felt like I was
waking up in a Fellini movie or maybe Brunell and then something weird
happened -- I began to feel at home, as if I fit in there, wanted to stay a
bit longer & that really frightened me -- the whole time I kept trying to
get a glimpse of you since this was your place, till finally FINALLY, in the
last 10, 20 miles of pages you appeared and led me out... Glad to meet ya!” -- Linda
Lerner As we said when we started this is a joint
production of Wilderness House Literary Retreat and the “bagel bards”.
The “Bagel Bards” have just published their first (and we hope of many)
anthology. You may purchase it here: |
A new and exciting travelog:
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